EUGENE REISCH

I was invited to pitch for (and won) the all new Alpha Group UK's website, AlphaToysUK.com. I desgined a simple but fun website with some nice movement and animated touches to bring some life to their catalogue of toy brands.

After winning the pitch, my team and I created the first official website for the new Clangers TV series. We also produced games, social assets and digital advertising and we've recently rolled out the new-for-2019 Clangers.com website

A website for my own small digital agency, Remo Creative. Designed to let the work shine, it's a small portfolio of our latest work.

A Webby-Award-winning website for Nominet documenting the highs and lows of 'the internet'. Completed while part of the team at agency Brands2Life.

A completely new online kids club for Tottenham Hotspur FC, including gamification mechanics, virtual collectibles and a whole load more. Launched in 2013, the campaign is no longer live.

Clients Coolabi wanted a new online destination for Poppy Cat fans. The result is a family-friendly simple site and 2 cute games.

A new website for the Norther Ireland-based TV production company.

A vibrant new website for the new Coolabi/BBC series, Scream Street. My team and I also produced 2 games - Resus Rocks and the spooky-selfie-making, iScream

For 2012, my team and I were engaged by SuperAwesome/Hasbro to create the all-new My Little Pony Friendship Club website - a members-only site full of games, activities, gameification elements and community-focussed challenges. Having run for 7 years, the campaign is no longer live.

Having created the original Beast Quest website back in 2014, my team and I were tasked with the production of the all new 2019 Beast Quest website.

For 20th Century Fox, my team produced a suite of 5 games for the international release of Ferdinand. The games are built in HTML for cross-device play have been localised for 23 territories.

I've been immensely proud to have been a part of Flight Club's journey to 'social darts' superstardom since the very beginning. My team and I were responsible for developing the product from it's inception including all on-screen tech - the customer user interface, the games, scoring systems, leaderboards, animation and admin controls... in fact, everything bar the camera tech.

Urinal games. Yep, that's right. Captive Media's innovative tech solution is a screen that sits above the urinal and detects your... ahem... 'stream'... which we then use to control the games. I've made numerous games across a number of famous drink and lifestyle brands

Through agency WCRS (Engine) I led the development of a promotional game for the RAF's Air Ops team's recruitemnt drive. It was the most successful online recruitment campaign they'd ever had, driving recuitment by over 200%.

For the release of Disney's Moana, I produced a platform game featuring the film's coconut-clad mini-pirates, creating all assets from illustration to animation.

I've lead the creation of numerous pan-European websites, interactive apps, games, display advertising and even a 'real' Pirate Island on Google Earth for a number of Disney's Pirates franchise films.

For the release of 20th Century Fox's Maze Runner series finale, Death Cure, I produced a retro-inspired maze game alongside my long-time collaborator and 'uber-developer' Jop, inluding a multiplayer mode (no longer available) and packed full of mini-challenges. Localised across 18 territories we also produced a cut-down version of the game for Snapchat.

A smash-hit pinball game to promote the (then) new Mr Men Show - placed on Miniclip, the game received over 10 millions plays in it's first few weeks and over 50 million in the subsequent year (requires Flash).

A multi-track, top-down, competition-based, socially connected racing game for VMware's Life in the Fast Lane campaign

PR agency Woof approach me to create an interactive experience for the National Army Museum's 'Waterloo 200' pop-up events, commemorating the Battle of Waterloo.

My team and I created a touchscreen app full of games and a competition menchanic, which was installed in their pop-up exhibition space

Another stand-out game for Disney, achiving over 4 million plays across 5 territories in the 12 weeks around film launch, with an average play-time of over 5 minutes.

A multi-level game for the launch of Lego's Heroica buildbale board game series of products.

My team and I created a suite of 6 games for the Premier League Kids digital campaign.

A couple of games for Fox's slick new 'film noir', Bad Times at the El Royale.

Numerous games and activties to support the My Little Pony Friendship Club.

My team was approached by Aardman and the BBC to create the official website and games for their (at the time) new show, Shaun the Sheep, now a global phenomenon. Let the sheep-based punns begin...

A couple of games to go alongside the new official website for CBBC's Scream Street

An international toolkit of website, games and activities for the release of Disney's live action Maleficent.

2 super cute games to promote the TV show.

4 games to accompany the official website for the Department for Transport's brave new 'Tales of the Road' campaign. Each game focused on the scary outcomes of poor road safety.

Numerous internal and consumer-facing social assets and animations for drinks brand Appletiser, including this internal brand history animation.

Dozens of book cover animations for various titles across HarperCollins ranges, used across social media and OOH digital display.

Youtube trailer for HaperCollins' Christmas Narnia campagin.

A sample of some of my animation work across dozens of online games.

A promo reel for the London PR and Comms agency to accompany their new website.

Youtube and social trailers for the launch of the latest in the Geek Girl series of books.

Youtube and social trailers for the launch of Ceclia Ahern's Young Adult fiction book'Perfect'.

Animation series for Xbox extolling the virtues of their (then) new HD offering.

Youtube interstitial for HarperCollins

Updated branding and product promo animation for the UK and US-based telematics company Redtail.

Branding and logo animation for the all-new London-based brewing company.

A promotional animation for Permier Inn's Business Account Card.

I've been lucky enough to help London-based bewery Creative Juices to find their new identity. I developed their brand look including a new logo, animated brand collateral, illustration and label designs.

UK/US telematics company Redtail had a visual identity that had remain unchanged since the ealry 90s. I took their existing logo and gave it a refresh, staying true to the original while presenting a clean new modern look that all stakeholders could buy into.

In 2014, having worked as a freelance digital Creative Director for the Lond-based PR and Comms agency Brands2Life, I was invited to work on updating their branding. I produced a new visual identity and website based on their 'flavours of business impact' philosophy. Then, in 2018 I was invited back to redevelop their visual identity again.

I was invited to update the visual identity of one of Londons most repsect theatrical agencies, with clients inluding Bruce Forsyth and Jon Culshaw. I took the 'showbiz' feel of their existing brand and updated it for a much more chic, clean and modern look.

Launched in 2013 and running until 2018, I was responsible for the concept, backstory and branding for Tottenham Hotspur FC's new online kids campaign the Tottenham Turfies. I also led the development of the website, games, print and digital OOH display advertising.

The vast majority of my professional experence is digital design and aniamtion, however I have also produced assets for a large number of print campaigns, most notably for HarperCollins and David Walliams. Typical campaigns include advertising (posters, 4/6-sheets, print ads), POS materials (display units, standees, bunting, window clings) and merchandise (badges, balloons, bookmarks, sticker sheets etc).

While I spend most of my days with a graphics tablet pen in my hand, I do still get to pick up a pencil from time to time. I illustrate for stories, to sell ideas, to flesh out storyboards and for personal gratification.

Using a mix of design and illustration, I've created dozens of infographics for a wide range of clients and subject matter.